Opus I2025
AloysiusVocê não é BURRO, você só está lendo do jeito ERRADO
- Role
- Script, editing and colour
Video editor · Video essays, long-form and Shorts for YouTube
Beautiful to watch Built to retain
A finish that holds up full screen — and a retention curve that doesn't fall off a cliff in the first minute. I don't trade one for the other.
Archive
Click to watchSelected work
Opus II2026
Vertical cuts
IncludesHooksCaptionsVersioning
Craft
Beauty that also performs
Video essay and long-form
I find the line of the argument in the middle of all the footage and build an arc that holds for twenty minutes — without losing anyone along the way. Logging comes before any fine cut: getting the order right is what holds retention later.
IncludesLoggingStructureMusic and soundColour
Shorts and vertical cuts
They hold from the first second without resorting to frantic cutting: framed for 9:16, with proofread captions and levelled audio. Nothing repurposed from the horizontal cut — every piece is conceived vertical from the start.
IncludesHooksCaptions9:16 framingVersioning
Ongoing channel editing
Continuous editing for channels that publish every week: the same colour, sound and type standard across every video, so the channel looks like a channel and not a pile of loose pieces. Deadlines agreed per batch, with no renegotiating delivery piece by piece.
IncludesWeekly batchChannel identityMotion and titles
About
João Antero, editor
I learned to edit watching the film and the retention graph on the same screen. One tells me whether the cut is beautiful; the other tells me where it lost the viewer — and almost always the two point at the same place.
That is why I do not treat "beautiful video" and "video that works" as separate roads. The shot that moves you is the shot nobody skips.
ToolsDaVinci ResolvePremiere ProAfter Effects
Contact
Tell me what needs cutting
I reply the same working day. Tell me where the video will be published and what it has to provoke — the rest I solve in the edit.